From frustration to fascination: how a horror comic's pacing won me over

I used to dismiss drawn-out comic scenes as pointless padding (honestly, it frustrated me for years). Then, sticking with 'The Immortal Hulk' revealed how slow burns cultivate unbearable tension and moral complexity. What book or arc made you rethink a storytelling technique you previously disliked?

3 comments

3 Comments

adam6268d ago

My friend used to despise non-linear narratives, calling them confusing and gimmicky (a real stickler for chronological order, that one). He grudgingly tackled 'House of Leaves' after our book club chose it, complaining incessantly about the fragmented early chapters. The book's layered timelines and shifting perspectives eventually mirrored the protagonist's unraveling sanity, which he confessed over coffee. That deliberate structural chaos created a palpable, sinking dread during the Navidson Record sections, he explained. It transformed his view from seeing the technique as mere pretension to recognizing it as vital, psychological texture. Now he champions disjointed storytelling like a reformed critic, which can be exhausting during casual conversations.

skyler_mitchell4d ago

Memento's backwards plot, @adam626, turns confusion into the whole point.

lisataylor8d ago

Reformed critic" is such a perfect way to put it. Tbh, I had the same exact turn-around with "Infinite Jest" - hated the footnotes until I realized they were making me feel just as scattered and obsessive as the characters. Ngl, now I'm probably just as annoying about it.