Disagree completely, that raw energy just looks like sloppy framing to me. The masters like Cartier-Bresson proved you can find perfect geometry in chaos, and settling for less just lowers the bar. Without that obsessive discipline, you're just taking snapshots and calling it art.
See, that's the thing though. Cartier-Bresson had his thing, but he wasn't the only master. Look at Daido Moriyama. His whole deal is grain, blur, and wild framing. It's raw energy on purpose. That's not being sloppy, it's a whole different kind of discipline. It's about feeling, not just geometry. Saying one way is the only right way misses so much of what photography can do.